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Galerie Michael Janssen Berlin: EMIL HOLMER - Dead Letters - 13 Mar 2010 to 24 Apr 2010

Current Exhibition


13 Mar 2010 to 24 Apr 2010
Tue - Fri 10 - 6 pm, Sat 11 - 6 pm
Opening: March 12, 6 - 9 p.m.
Galerie Michael Janssen Berlin
Rudi-Dutschke-Stra�e 26
( formerly Kochstrasse 60 )
D-10969
Berlin
Germany
Europe
p: +49 30 2592725-0
m:
f: +49 30 2592725-18
w: www.galeriemichaeljanssen.de











Emil Holmer, Dead Letters (Nr. 1), 2009
�l, Spr�hlack, Kohle auf Leinwand / Oil, enamel-spray, charcoal on canvas
180 x 280 cm / 70,9 x 110,2 inches
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Galerie Michael Janssen

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Artists in this exhibition: Emil Holmer


EMIL HOLMER - Dead Letters

March 13 � April 24, 2010

On Friday, 12th of March 2010 from 6 to 9 p.m., Galerie Michael Janssen will be presenting a selection of Emil Holmer�s recent paintings. Dead Letters is the first solo exhibition of the Swedish artist at the gallery. Born in Karlstad in 1975, Holmer studied at the Academy of Arts in Ume� and at the U.D.K. in Berlin, where he was a guest student in the class of Tony Cragg. In recent years, Holmer had several solo exhibitions in Europe, Australia and South Africa.

Emil Holmer�s paintings are cathartic explosions; axes, spears, wood constructions, body parts as well as abstract geometric forms and amorphous shapes seem to be exploding like fireworks on the canvas or are just heaped up like debris after an apocalyptic video game war. Holmer�s works are reminiscent of Graffiti and the avant-garde movement COBRA, whose primary focus consisted of semi-abstract paintings with brilliant color, violent brushwork and distorted human figures.

The large format paintings are violent image symphonies, in which the density inherent in every depicted scene creates a blur, straining the viewer�s eyes. Drawing on such areas as psychopathology, fear, power, sexuality and the body, Emil Holmer is strongly influenced by pop culture, midway between the horror film and the comic strip.

Since the Chaos and Fractal Theory, �chaos� doesn�t simply mean �anarchy� but �a higher order�: out of confusion and complexity life emerges as a functioning organism. Chaos displays an innate tendency to form into patterns and structures and it fosters and commands order despite of all forces that act against it. Self-organization is the result of re-invention and creative adaptation due to the introduction of perturbed equilibrium. Holmer�s paintings are one example of an organization, which exists in a constant state of perturbation, with irregularities, even randomness in the dynamics of systems considered as �ordered� by the traditional views.



Emil Holmer

2003
Gueststudent at U.D.K, Class Tony Cragg, Berlin, DE
2002
Master of Fine Arts from the Academy of Arts in Ume�, Sweden, SE
1996-97
Nordiska Konstskolan �Nordic School of Art�, Karleby, Kokkolla, FI


Solo Exhibitions

2010
Dead Letters. Galerie Michael Janssen, Berlin, GER
2009
Galleri S.E, Bergen, NO
2008
Arnstedt & Kullgren Galleri, B�stad, SE
2007
Kapitalistischer Realismus. Projectspace, Berlin, GER
Monash University, Department of Fine Art, Melbourne, AU
2006
Cut/Sink/Melt. CirkulationsCentralen, Malm�, SE
ID:I gallery, Stockholm, SE
2005
Meat on Bones. SOX36, Berlin, GER
2004
Pressured Proportions. (public sculpture), Johannesburg, ZA
2003
Stolen and abandonded car. (public sculpture), Berlin, GER
2001
Other People. Gallery 60, Ume� , SE
Avalanche in Sweden. (performance with Curchill Madikida), Ume� ,SE
1999
Magic Moment. Gallery Ynglingagatan1, Stockholm, SE


Group Exhibitions

2010
100th exhibition. (with Norbert Bisky, Veronica Brovall, Dennis Feddersen, Cyprien
Gaillard, Katharina Grosse, Eberhard Havekost, a.o), Autocenter, Berlin, GER
2009
Forgotten Bar, Galerie im Regierungsviertel, Berlin, GER
Ei saa peitt��-M� ej �vert�ckas-contemporary art in Sweden and Finland.
(curated by G�ran Green and Jukka Vikberg), Eskilstuna Art Museum, Eskilstuna, SE
Made in Berlin. �rebro Institute of Art, �rebro, SE
2008
Inland Empire. (curated by Aage Langhelle), Christiansand Kunstforening, Kristiansand, SE
Nordic Drawing. Rackstad Art Museum, Arvika, SE
Every Body Counts. Vestfossen Kunstlaboratorium, Vestfossen, SE
2007
Aibophobia - Proposals for a Heterotopian Interior. One Twenty Gallery, Gent, BE
L�homme nu. Centre d�art Mirha Phalaina, Montreuil, FR
Exil/Berlin. Arnstedt & Kullgren, B�stad, SE
2006
Emergency Room. Galerie Olaf St�ber, Berlin, GER
Shellheads. GLUE Projectspace, Berlin, GER
Anhalt Berlin. Arntstedt & Kullgren, B�stad, SE
2005
Dripped c/o Sweden. A.r.I.A.s, Makati City, PH
2004
Wildwuchs. TheaterDiscounter, Berlin, GER
Korsn�s Gummi Biennalen 2004. Falun, SE
2003
Existence and Engagement. Gubb�ngen, Stockholm, SE
2002
Kraftverk. Bildmuseet, Ume�, SE
Kraftverk. Wetterling Gallery, Stockholm, SE



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