Silvia Lerin
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 Black Crest. 2014
Acrylic on cotton and wood
18 x 10 in. | 46,5 x 26 cm.
- Black Crest. 2014
Acrylic on cotton and wood
18 x 10 in. | 46,5 x 26 cm.
- Acrylic on cotton and wood
10 x 25,5 in. | 25 x 65 cm.
">Twins. 2014
Acrylic on cotton and wood
10 x 25,5 in. | 25 x 65 cm.
- Painted cotton and oil on wood
26 x 4 x 3.5 in. | 66 x 10 x 9 cm.
">Via I. 2014
Painted cotton and oil on wood
26 x 4 x 3.5 in. | 66 x 10 x 9 cm.
- Painted cotton and oil on wood
3.5 x 9.8 x 2.2 in. | 9 x 25 x 5,5 cm.
">Via II. 2014
Painted cotton and oil on wood
3.5 x 9.8 x 2.2 in. | 9 x 25 x 5,5 cm.
- Painted carpet and oil on wood
72 x 58 x 3.5 in. | 183 x 147 x 9 cm.
">Hole. 2014
Painted carpet and oil on wood
72 x 58 x 3.5 in. | 183 x 147 x 9 cm.
- Painted cotton and stainless steel
9 x 196 x 5 in. | 23 x 498 x 13 cm.
">Mind it!. 2014
Painted cotton and stainless steel
9 x 196 x 5 in. | 23 x 498 x 13 cm.
- Acryl-painted vinyl,oil-painted wood, plastic and maskingtape
55 x 67 in. | 140 x 170 cm.
">Residual shape. 2014
Acryl-painted vinyl,oil-painted wood, plastic and maskingtape
55 x 67 in. | 140 x 170 cm.
- Acrylic on cotton and oil on wood
31.5 x 28.5 x 2 in. | 80 x 72,5 x 4,5 cm.
">Broken Perspective. 2014
Acrylic on cotton and oil on wood
31.5 x 28.5 x 2 in. | 80 x 72,5 x 4,5 cm.
- Acrylic on cotton and wood.
12 x 5 in. | 30 x 13 cm.
">Take me by the hand. 2014
Acrylic on cotton and wood.
12 x 5 in. | 30 x 13 cm.
- Painted cotton, acrylic and oil on wood
aprox 7 x 5 x 1,5 in. | 18 x 13 x 4 cm. each
">Teardrops 2014. (Installation with 8 of my teardrops)
Painted cotton, acrylic and oil on wood
aprox 7 x 5 x 1,5 in. | 18 x 13 x 4 cm. each
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Project: MIND THE GAP. April-December 2014.
This project began to take shape in London, thanks to the Krasner-Pollock Foundation Grant.
In the beginning “Mind the Gap” was conceived as a series of paintings in which the famous warning phrase issued to tube passengers became an excuse to keep on investigating my artistic discourse through fissures and divisions considering “gap” as an extension of its meaning.
Nevertheless whilst surveying these ideas I realized a new necessity of formulating the work inspired by the “GAP” (with all its connotations) with a very different perspective of what at the beginning inspired my paintings ( I wasn’t thinking regards the tube lines neither its colours but in it's literal meaning; the actual "gap” itself (the distance between the train and platform). I began to think in installations with painted timber, yellow and grey cotton or other fabric, in which the yellow line that appears in the edges of the platforms plays an important roll as an element that both separates and advises.
see more in: http://silvialerin.com/10mindthegapII.html and in : http://silvialerin.com/w14asideen.html
| Silvia Lerin
195-205 Union Street
SE1 0LN
London
London
United Kingdom
Europe
T: 44 07474200267
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W: http://www.silvialerin.com
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project 'MIND THE GAP'
project 'CONVERSATION WITH THE BUILDING''
MURALS and DESIGN comissions
PAINTINGS
ORIGINAL WORKS ON PAPER
GRAFIC WORKS
SCULPTURE
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