| Judith Brotman Page 1 | |||||||||
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2. | A quick glance at the wall reveals only a proliferation of images; like a singular moment of perception, it is both a valid and unfinished reading. Only an investment of time will uncover reoccurring images, readable texts, and a partially decipherable narrative. |
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| The notion of judging a book by its cover is the starting point of my most recent individual works: mixed media altered books and texts. Initially, I rely on snap decisions and gut reactions to select the texts. The pulse quickening, love-(or annoyance)at-first-sight sensations have led me to choose Harlequin Romances with excruciatingly bad titles, discolored and fragile old pages of text, and seductively beautiful art historical images. I consider my subsequent alterations to be both commentary and collaboration. It is my intention to highlight that aspect which I first find most compelling. Part criticism, part homage, my added marks—stitched, wrapped, or collaged—alternate between subversion and celebration. The ambiguities are meant to serve as spaces; they are invitations to draw conclusions from one’s own personal narrative. | |||||||||
3. | IMAGE DESCRIPTION : 1 – Instersections, installation view. 2 and 4 – Intersections, detail. 3. – Marked, mixed media. 5. – Punk ang Gray Day, mixed media. 6. – Stress without Distress. | ||||||||
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