These props are photographed in a dispassionate studio style, in which the 'throwaway', incidental, and fragile nature of The vacuous space within the staged photograph is integral to the work.The nature of the imagery combines an awkward vulnerability, inherent in the objects and their construction, with an authority and confidence created by the way in which they have been photographically recorded and presentedBy using large format photography, the objects become ultra-real, this creates an interesting dialogue between intimacyphotographic studio.The work is an amalgamation of blatant physicality combined with the dry. skeletal nature of the objects, which deny thethe sensual and exist in a space between ” something” and “nothing”.